SMPTE 2015 - Conference on Persistence of Vision - Defining the Future
Topics/Call fo Papers
SMPTE15: Persistence of Vision - Defining the Future (Sydney, Australia on 14-17 July, 2015) (SMPTE15)
Entertainment Precinct, Moore Park, Sydney, Australia
14 ? 17 July 2015
Persistence of Vision ? Defining the Future
When the Society of Motion Picture Engineers was constituted in Washington, DC on 10 August 1916, it set down the following as its objects: Advancement in the theory and practice of motion picture engineering and the allied arts and sciences, the standardization of the mechanisms and practices employed therein, and the maintenance of a high professional standing among its members.
Over the ten decades that followed, the Society has embraced the relentless march of technology while maintaining this original vision of its founders. As we enter the centenary year of SMPTE, it is appropriate to honour that Persistence of Vision (pun intended) while gathering to celebrate how we are Defining the Future of the industry through standards development, encouraging membership and providing education resources for the global industry.
This is your opportunity to present a paper that will reach leaders and practitioners who shape the industry's future. Your work may even lead to publication in the SMPTE Motion Imaging Journal. The biennial SMPTE Australia conference has an international reputation for linking the cutting edge of development with the practicality of solving today's problems.
Proposed papers must be informational and must address technical theory, research, innovation, application, or practice specific to any of the evolving technologies associated with the media technology industry. Student papers and case studies are strongly encouraged. Papers that are commercial or promotional in nature will not be considered, nor will those that already have been published.
SMPTE15 in Sydney, Australia is projected to attract several hundred delegates alongside the exhibition that offers exhibit space for over 100 technology vendors drawing thousands of visitors. The 3-day immersive conference is scheduled to kick off with a keynote address by Chris Fetner, director of global content partners operations at Netflix.
SMPTE15 calls for papers delivered on a wide range of topics, including:
4K/8K UHDTV and the quest for higher dynamic range and colour gamut; postproduction; broadcast infrastructure, 3G, IP, and file-based workflow; cinematography and image acquisition; fractional frame rates; psychophysics and the human vision system; asset management, storage, and archiving; the "Internet of everything," the second screen, and alternative content; audio/video processing and compression; content security; new techniques in audio; content distribution; display technology; advanced image processing; mobile, IP, and future distribution technologies; cinema technology; immersive sound; and restoration and preservation.
A full list of proposed topics may be found at:
https://app.box.com/s/pw5c52akxhp6rfqn840a
Deadline for submissions is 15 February 2015. Submissions should comprise a topic heading, paper title, and a one-page abstract (50-100 words) through our online content submission tool, EDAS.
Please also provide delivery method (presentation, video clip, demonstration), a brief description of the proposed paper's content, name(s) of author(s) and the presenter, title, company, mailing address, telephone, and e-mail address.
Acceptances will be notified within four weeks of closing. Full manuscripts will be required to be submitted by 1 June 2015 and final papers will be required for publication by 25 June 2015 - delivered electronically.
To register your paper go to: https://edas.info/newPaper.php?c=18525
We look forward to receiving your proposal.
David Wheeler
Chair
SMPTE15 Conference (Sydney).
Entertainment Precinct, Moore Park, Sydney, Australia
14 ? 17 July 2015
Persistence of Vision ? Defining the Future
When the Society of Motion Picture Engineers was constituted in Washington, DC on 10 August 1916, it set down the following as its objects: Advancement in the theory and practice of motion picture engineering and the allied arts and sciences, the standardization of the mechanisms and practices employed therein, and the maintenance of a high professional standing among its members.
Over the ten decades that followed, the Society has embraced the relentless march of technology while maintaining this original vision of its founders. As we enter the centenary year of SMPTE, it is appropriate to honour that Persistence of Vision (pun intended) while gathering to celebrate how we are Defining the Future of the industry through standards development, encouraging membership and providing education resources for the global industry.
This is your opportunity to present a paper that will reach leaders and practitioners who shape the industry's future. Your work may even lead to publication in the SMPTE Motion Imaging Journal. The biennial SMPTE Australia conference has an international reputation for linking the cutting edge of development with the practicality of solving today's problems.
Proposed papers must be informational and must address technical theory, research, innovation, application, or practice specific to any of the evolving technologies associated with the media technology industry. Student papers and case studies are strongly encouraged. Papers that are commercial or promotional in nature will not be considered, nor will those that already have been published.
SMPTE15 in Sydney, Australia is projected to attract several hundred delegates alongside the exhibition that offers exhibit space for over 100 technology vendors drawing thousands of visitors. The 3-day immersive conference is scheduled to kick off with a keynote address by Chris Fetner, director of global content partners operations at Netflix.
SMPTE15 calls for papers delivered on a wide range of topics, including:
4K/8K UHDTV and the quest for higher dynamic range and colour gamut; postproduction; broadcast infrastructure, 3G, IP, and file-based workflow; cinematography and image acquisition; fractional frame rates; psychophysics and the human vision system; asset management, storage, and archiving; the "Internet of everything," the second screen, and alternative content; audio/video processing and compression; content security; new techniques in audio; content distribution; display technology; advanced image processing; mobile, IP, and future distribution technologies; cinema technology; immersive sound; and restoration and preservation.
A full list of proposed topics may be found at:
https://app.box.com/s/pw5c52akxhp6rfqn840a
Deadline for submissions is 15 February 2015. Submissions should comprise a topic heading, paper title, and a one-page abstract (50-100 words) through our online content submission tool, EDAS.
Please also provide delivery method (presentation, video clip, demonstration), a brief description of the proposed paper's content, name(s) of author(s) and the presenter, title, company, mailing address, telephone, and e-mail address.
Acceptances will be notified within four weeks of closing. Full manuscripts will be required to be submitted by 1 June 2015 and final papers will be required for publication by 25 June 2015 - delivered electronically.
To register your paper go to: https://edas.info/newPaper.php?c=18525
We look forward to receiving your proposal.
David Wheeler
Chair
SMPTE15 Conference (Sydney).
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Last modified: 2015-01-14 00:00:07